{"id":2735,"date":"2025-11-07T09:08:34","date_gmt":"2025-11-07T09:08:34","guid":{"rendered":"https:\/\/cvsc.upcebu.edu.ph\/?post_type=project&p=2735"},"modified":"2025-11-07T09:08:35","modified_gmt":"2025-11-07T09:08:35","slug":"the-anti-imperialist-cultural-revolution-and-the-covert-presence-of-a-decolonial-subject-2","status":"publish","type":"project","link":"https:\/\/cvsc.upcebu.edu.ph\/index.php\/project\/the-anti-imperialist-cultural-revolution-and-the-covert-presence-of-a-decolonial-subject-2\/","title":{"rendered":"The Anti-Imperialist Cultural Revolution and the Covert Presence of a Decolonial Subject"},"content":{"rendered":"

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Author(s): Regletto Aldrich D. Imbong, Ph.D.<\/a><\/span><\/strong><\/p>\n

Year Published:<\/strong> May 2025<\/span><\/p>\n

Abstract\/summary:<\/strong> Anti-imperialist struggles mark many of the decolonial projects in Asia. Being a political project that has significantly influence many social and revolutionary movements in the Global South, Maoism has informed and equally inspired a number of anti-imperialist projects in the continent, including the Philippines. This paper traces an anti-imperialist initiative in the country among cultural workers and activists. Cultural revolution is an integral component of Maoism, allowing for an anti-imperialism to be opened and waged in the cultural front. By interviewing activists and doing an analysis of their works, the chapter will argue that the anti-imperialist cultural revolution in the country defines a specific decolonial subject through the former\u2019s subject-constituting effects within and through the mass movement. This decolonial subject manifests its \u201ccovert presence\u201d within the old where it simultaneously opens the possibility for the new and provides a positive articulation for a post-imperialist possibility.<\/span><\/span><\/p>\n

Keywords:<\/b><\/p>\n